Photographic images for film and new media

1.1 – 12/09/2024 18h30-20h30 – online

1.2 – 18/09/2024 18h30-20h30 – online

1.3 – 25/10/2024 14h00-20h00 – in presence

The project is a narrative, consistent in its chosen content and formal aspects. The narrator must develop a language capable of highlighting, analysing and conveying the chosen theme through precise formal, compositional and selection or sequence choices. If, as Michel Foucault said, the verb is the element that guarantees direction and sense to verbal discourse, the search for the “verb”, i.e. what binds one image to another, transforming fragments into coherent elements of a whole, is what gives voice and sense to the project. Thereforè the photographer’s real interest in the subject matter and the identification of a working method functional to the object are fundamental. To this end, the study of how the dilemma of the “project” has been tackled by great photographers of the past and present is essential. The course, conceived in such a way as to be able to provide in a reasonable amount of time a theoretical and practical knowledge of the meaning and structure of a project and of the great variety of examples in particular fields of photography (art, cinema, documentary, experimental), aims to give clear and effective ideas through group work, recourse to the examples offered by ‘classic’ and contemporary photography and, finally, direct work on the realisation of a project under the supervision of the teacher and its critical analysis in the group.

LECTURER: JACOPO SANTINI

13/09/2024 – 14h00-20h00 – in presence

The ‘Photography in Cinema’ module offers an in-depth overview of the crucial role of photography in filmmaking. Through a guided theoretical course and the screening of specific documents, participants will explore the fundamental elements of visual composition and techniques for communicating emotions through images. The various styles and approaches to film photography will also be analysed, with a particular focus on how photography contributes to the narrative and message of the film. Participants will have the opportunity to put their acquired knowledge into practice through practical exercises and photographic projects, guided by Jacopo Tomassini.

LECTURER: JACOPO TOMASSINI

14/09/2024 – 09h00-19h00 – in presence

21/09/2024 – 09h00-19h00 – in presence

The “Self-Portrait Photography and Self-Image” module is an intimate journey of self-discovery through the art of photography. Starting from the consideration that the communication of self-image is at the basis of social network communication and that it must be understood and analysed in order to acquire awareness on the use of new media. Together with Simona Ghizzoni we will explore the dynamics of representation (and the practical ones) that are activated or concealed within the self-portrait and the self-timer. Through practical workshop activities and a theoretical introduction, we will learn how to communicate our identity, emotions and stories through the self-portrait. We will also explore the role of self-representation in the age of social media and authenticity in self-image. In addition to technical photography, we will also explore the psychological aspect of self-portraiture, examining how self-reflection and awareness can influence the creative process. Participants will have the opportunity to express their own unique view of the world and of themselves through a personalised photographic project, with the support and guidance of the lecturer.

LECTURER: SIMONA GHIZZONI

19/09/2024 – 18h30-20h30 – online

The module ‘Composition in the Photographic Image’ with Stefano Mirabella offers essential tools for perfecting the aesthetic analysis of images. We will explore the fundamental principles of composition, such as the rule of thirds, colour balance, perspective and depth of field. Through practical lessons and case study analysis, we will learn how to use these elements to create (or select) dynamic and engaging images. We will also examine framing and angle techniques to emphasise the subject and communicate emotion. The module will also include practical sessions in which participants will have the opportunity to apply the techniques learnt, receiving personalised feedback from the lecturers. In addition, we will explore how content is expressed through form, which in turn becomes content in the image society. Upon completion of the module, participants will be able to create and recognise visually appealing and well-composed images, thus enriching their photographic language.

LECTURER: STEFANO MIRABELLA

20/09/2024 – 14h00-20h00 – in presence

25/09/2024 – 18h30-20h30 – online

27/09/2024 – 14h00-19h00 – in presence

09/10/2024 – 18h30-20h30 – online

10/10/2024 – 18h30-20h30 – online

23/10/2024 – 18h30-20h30 – online

24/10/2024 – 18h30-20h30 – online

20/11/2024 – 18h30-20h30 – online

The History of Photography course offers an in-depth analysis of the evolution of this art form from its origins to the present day. We will explore the milestones of photography, from the invention of the camera obscura in the 17th century to the first photographs of the 19th century by pioneers such as Daguerre and Fox Talbot. We will analyse the transition from black and white photography to the first colour images and the revolutionary impact of digital cameras in the 21st century. We will study the artistic movements and key figures that have shaped the world of photography, such as the documentary photography of Jacob Riis and Lewis Hine, the surrealism of Man Ray and the conceptual experiments of Cindy Sherman. We will also examine the influence of photography in the socio-political and cultural context, including its role in social change, contemporary art and the digital age of social media. Finally, we will analyse current trends and challenges that photography faces in the contemporary world.

LECTURER: CLAUDIA IOAN

28/09/2024 – 09h00-19h00 – in presence

The “FORMATS, SCREENS, PROPORTIONS” module with Lorenzo Razzino offers an in-depth analysis of film, television and photographic formats and the implications they have on the image. We will explore the history and evolution of different formats, from cinema film to contemporary digital standards, including aspect ratio variations such as 4:3, 16:9 and 21:9. We will analyse how these formats influence image composition, visual narrative and viewer experience, both on the big screen and on digital and streaming platforms. We will also study the challenges and creative opportunities offered by different formats, examining case studies and practical examples from film, television and photography. Participants will gain an in-depth understanding of formats and proportions and will be able to apply this knowledge in their creative work, thus enriching their ability to communicate through images.

LECTURER: LORENZO RAZZINO

02/10/2024 – 18h30-20h30 – online

03/10/2024 – 18h30-20h30 – online

The module ‘Photo Editing: Images and the Sequence’ explores photo editing techniques and the importance of sequence in organising images. We will explore the basics of photo editing, with a specific focus on the conceptual aspect of editing, focusing on the selection and arrangement of images to create coherent and engaging visual narratives. We will study how the sequence of images can influence the viewer’s perception and effectively communicate a message or story. Through practical examples and specific case histories, participants will learn how to work with images creatively and strategically, developing essential skills for the presentation and visual evaluation of art projects, photographic portfolios or visual narratives. By the end of the course, participants will have gained a solid understanding of photographic editing practices and will be able to create image sequences that communicate effectively and engagingly.

LECTURER: CHIARA BARDELLI NONINO

04/10/2024 – 14h00-20h00 – in presence

The course aims to explore the intersection between the visual image and text, teaching how words can complement, expand or reinterpret the meaning of photographic images. Students will learn how to select images that tell a story, how to write effective captions, accompanying texts and narratives that enhance the photographs, and how to use text to guide audience interpretation.

05/10/2024 – 09h00-19h00 – in presence

The Authorial Photographic Portrait lecture explores the marriage of photography, publishing and fashion through an in-depth analysis of the portrait as a creative expression and communicative tool. We will examine the role of the author in the creative process of the photographic portrait, analysing how artists interpret and convey the identity and personality of their subjects through images. Through case studies and practical examples, we will explore how the authorial portrait influences and is influenced by trends and cultural values in the fashion and publishing industries. Through lecturer Toni Thorimbert’s decades of experience, we will also discuss the impact of authorship in defining the visual narrative of magazines, advertising campaigns and editorial projects, examining how photographers’ work influences the aesthetics and message of brands and publications. Finally, we will reflect on the challenges and opportunities artists face in pursuing an authorial approach in the context of fashion and editorial photography, exploring how to maintain authenticity and creative coherence in an environment often subject to commercial and market pressures.

LECTURER: TONI THORIMBERT

11/10/2024 – 14h00-20h00 – in presence

The Photographer and Scene Photography module explores the crucial role of the photographer in the creation of iconic and evocative images for film and advertising. We will analyse the differences between set photography in the film and advertising context, exploring the specific techniques and challenges associated with each sector. We will study how the photographer works closely with directors, art directors and designers to capture the essence of a scene or product through image. We will also examine the creative process behind the creation of advertising campaigns and digital film posters, exploring how photography can influence the image of a film or product. Through case studies and practical examples, participants will gain an in-depth understanding of the techniques and strategies used by scenic photographers to create images that should capture the attention of the audience while contributing to the visual narrative and commercial success of a film or advertising project.

LECTURER: STEFANO SCHIRATO

12/10/2024 – 09h00-19h00 – in presence

09/11/2024 – 09h00-19h00 – in presence

The module ‘The Commercial Portrait’ in the context of film and new media explores how portrait photography is used to promote films, television programmes and digital content. We will analyse the specific techniques used in commercial portraiture to communicate the personality of characters and capture the attention of the audience. We will also examine the crucial role of commercial portraiture in creating brand images for actors, directors and film products. We will study how commercial portraiture has evolved in the age of new media, including case studies and digital branding strategies and online advertising campaigns by lecturer Eolo Perfido. After a theoretical introduction, through photographic practice, participants will gain an in-depth understanding of best practices in commercial portraiture, including lighting, composition and post-production techniques used to create engaging and persuasive images. The class will also explore how commercial portraiture can be adapted and optimised for digital and social media platforms, contributing to the success and visibility of a film project or brand in the digital age.

LECTURER: EOLO PERFIDO

16/10/2024 – 18.30/20.30 – online

17/10/2024 – 18.30/20.30 – online

18/10/2024 – 14.00/20.00 – in presence

The course highlights the unique responsibilities, skills and interaction between these three key roles in film and television production. How the director’s vision is transformed into visual reality, location selection, set creation, and photography planning. The importance of synergy between the director, art director, and cinematographer to create a visually coherent and stimulating environment.

LECTURER: MIGUEL LOMBARDI

19/10/2024 – 9.00/19.00 – in presence

13/11/2024 – 18.30/20.30 – online

14/11/2024 – 18.30/20.30 – online

15/11/2024 – 14.00/20.00 – in presence

A course in ‘Photographic Documentaries’ is designed to explore the powerful medium of photography as a means of narrating and documenting reality. This course provides an overview of the techniques, strategies and ethics of creating photographic documentaries that tell meaningful stories through images.

LECTURERS: ALTERAZIONI VIDEO

26/10/2024 – 9.00-19.00 – in presence

The module aims to explore the intersection between the visual image and text, teaching how words can complement, expand or reinterpret the meaning of photographic images. Students will learn how to select images that tell a story, how to write effective captions, accompanying texts and narratives that enhance the photographs, and how to use text to guide audience interpretation.

LECTURER: STEFANO BIANCHI

07/11/2024 – 18.30-20.30 – online

This course explores image theory through an interdisciplinary analysis of images in visual culture. Students will examine images as a means of communication, artistic expression, and representation, evaluating their impact on society and individual culture. The course will cover the history, philosophy, aesthetics and criticism of images, providing students with the tools to analyse and interpret images in various contexts.

LECTURER: FRANCESCO MONICO

16/11/2024 – 9.00/19.00 – in presence

The module ‘Photographic Exhibition: Setting up an Exhibition’ offers practical guidance on how to set up and curate a photo exhibition. The basic steps of preparation will be examined, from the selection of images to the choice of theme and location. The different options for presenting photographs, such as framing, installation on panels or digital media, will be studied, taking into account the environment and the intended audience. Logistical and technical aspects will also be analysed, including lighting, spatial layout and visual education, to create an engaging experience for visitors. Promotion and communication strategies to attract audiences and gain visibility for the exhibition will be explored. Through the analysis of successful photo exhibitions, participants will acquire practical skills to successfully organise and realise a photo exhibition, thus preparing them for professional roles in the arts and culture.

LECTURER: ALESSANDRA MAURO

08/11/2024 – 14h00-20h00 – in presence

21/11/2024 – 18h30-20h30 – online

This module analyses the narrative and documentary power of this film genre in exploring stories related to photography and its protagonists. We analyse docufilms made by Giovanni Troilo for SKY (‘I Fotografi’ series) that recount the lives and work of famous Italian photographers, exploring the narrative techniques used to convey the importance and impact of photography in society. We also study documentaries that explore topics such as photo journalism, social documentation and the history of photography. Challenges and responsibilities in dealing with sensitive photographic stories are examined, as well as how docufilms can educate and raise public awareness of photography as a tool for storytelling and testimony. Finally, the role of docufilm in preserving and enhancing historical and cultural memory through photography is reflected upon.

LECTURER: GIOVANNI TROILO

22/11/2024 – 14.00/20.00 – in presence

23/11/2024 – 9.00/19.00 – in presence

The course offers a deep immersion in the art of capturing and interpreting the landscape through the photographic lens. It develops a holistic approach to landscape photography, combining technique, artistic expression and environmental awareness. The course will focus on the ability to ‘read’ the landscape, encouraging participants to develop a personal vision and tell stories through their images. The role of the photographer in representing and preserving natural environments will also be discussed, with a focus on photography as a tool for ecological awareness.

LECTURER: JACOPO SANTINI

27/11/2024 – 18.30/20.30 – online

28/11/2024 – 18.30/20.30 – online

The module on image marketing explores the crucial role of images in the marketing and communication strategy of companies. It analyses how images influence brand perception, audience engagement and consumer purchasing decisions. Different forms of visual marketing are studied, including advertising, social media campaigns and branding, examining how images are used to communicate values, emotions and corporate identity. Photography, graphics and design techniques used in visual marketing are explored, and case studies of successful campaigns are analysed. The importance of visual consistency and authenticity in brand image is also discussed. Through practical case studies, participants will learn how to evaluate image strategically to promote a brand or product, developing essential skills in the field of visual marketing.

LECTURER: ALESSANDRA ROMAGNA – Head of Marketing of Leica Camera Italia

29/11/2024 – 14.00/20.00 – in presence

04/12/2024 – 18.30/20.30 – online

05/12/2024 – 18.30/20.30 – online

The module on working in documentary film production offers an in-depth look at the different figures involved in the creation of documentary films. Key roles such as director, producer, cinematographer, editor and researcher are explored, analysing the responsibilities and skills required for each position. The stages of the documentary production process from pre-production to post-production are studied, highlighting the challenges and opportunities encountered along the way. Interview, research and storytelling techniques used to create engaging and informative documentaries are also examined. Through case studies and the direct testimony of lecturer and filmmaker Emiliano Scatarzi, participants will gain a practical understanding of the behind-the-scenes work in documentary filmmaking, preparing them for a career in audiovisual production.

LECTURER: EMILIANO SCATARZI

06/12/2024 – 14.00-20.00 – in presence

This module offers critical tools for understanding and evaluating a photographic exhibition. The exhibition layout is explored, analysing the sequence and organisation of the works, and how it influences the viewer’s enjoyment and interpretation. The concept of the colophon is explored, examining the presentation of technical and conceptual details of the exhibition, such as the title, curator, information about the works and credits. The captions of the exhibited works are also analysed, exploring their role in the contextualisation and interpretation of the images. Writing techniques for images are studied, including description, analysis and narration, to effectively communicate concepts and emotions through accompanying text. Through the analysis of significant photographic exhibitions and the exercise of critical writing, participants will develop critical and analytical skills to interpret and communicate the meaning and effectiveness of a photographic exhibition.

LECTURER: SIMONA ANTONACCI