We have reached the seventh edition of the RUFA Annual Report.
After celebrating the 20th anniversary of the Academy and experiencing the uncertainties, visions, and transformations of the COVID period, we now find ourselves at a new beginning. Symbolically, the number seven marks the completion of the sequence, the last link in the rhythm of human cycles (days of the week, colours, notes, etc.).
The Academy has changed; it acquired a new large campus in 2022 and is continually expanding in Rome and Milan, welcoming more international students and courses.
The 2022 Annual Report aims to be, true to its nature, a volume dedicated to self-analysis. Where are we? Who are we? How many of us are there and what roles do we play? How far have we come? How do we interpret creativity today? And society? Where are we heading?
To answer these questions, we must first observe, collect data and information, and analyse them. Therefore, the intention is to develop a visual analysis that incorporates both quantitative and qualitative data, focusing on human-centric data. Photography, illustration, and typography become tools of investigation rather than storytelling, of exploration rather than discovery. Each individual can then draw their own more informed conclusions.
Specifically, as emerged in the meeting of 2 May, we organise the volume in this way: after the disorientation caused by the internal and external epochal changes, it is crucial to answer the questions WHO ARE WE? WHERE ARE WE NOW? The answer that considers all the souls that make up the Academy is QUALITY. We are quality. We strive for quality.
The new places, new structures, new names leading everything, everything that has remained the same and/or changed needs to be told, with courage and completeness, through a WARM narrative (in introductions, pre-section covers, and events), contrasted with the NEUTRAL data that outlines RUFA’s journey over these 7 years, since the inception of the ANNUAL REPORT.
CREDITS
Editorial project
Guido Lombardo
Cristiana Pagnottelli
Content supervisor
Fabio Mongelli
Design
Intorno Design
Guido Lombardo
creative direction
Davide Luccini
graphic design, layout and typesetting
Francesco P. Incantalupo
data visualization
Federico Mauti
dataviz assistant
Alessandro Zingone
graphic design assistant
Davide Paolini
graphic design assistant
Producer
Cristiana Pagnottelli
Illustrations
Francesco Fidani
Giulia D’Andrea
erasmus page illustration
Italo Maria Merluzzi
draft assistant
Olivia Gaone
color assistant/small>
Portrait Photo
Stefano Compagnucci
Maria Vittoria Pecchioli
Postproduction
Christian Rizzo
Text Editor
Alessandra Giacomelli
Contents translator
Claudia Vitali
Visual Content Editors
Lisa Romanato
Beatrice Vio-Genova
Photo contributors
Claudia Rolando
Marta Ferro
Grazie a
Tutti gli uffici RUFA
Typeface
Typeface
Sempione
Tipiblu, 2009-2019
CAST
Printed on
Favini papers
Dolce Vita White
120 g/m2 (pages)
Tokyo light grey 350 g/m2 (cover)
Tokyo black 120 g/m2 (jacket)
Printing
The RUFA Annual Report 2022 has been organized thanks to the precious contributions of Favini papers division and Tiburtini Srl, who have respectively provided the paper and printed the publication.