‘Living urbanity as a participant stranger and fragmenting its landscapes, customs and structures.
A relationship with identity detached but nevertheless embedded in the system.
Postcard images immortalised in arcs of time that are too short to be captured in their entirety: that is why they are reported as fractions or flocks in constant movement.
The roles belonging to humanity that goes on without ever stopping, in parodic form.
There is no possibility of error, or perhaps there is too much. The gear swallows you up and then spits you out.
Facing it directly would mess up our wigs’.
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